§ Dara Naraghi’s Indie Cover Spotlight is celebrating its 200th post today with a proto-nerdlebrity comics that features likeness of Mark Hamill, Julie Strain, Kevin Eastman, Walter Koenig, Bill Mumy, and more. It also has a woman with extra breasts in the shape of hawks heads.
Dig back in the achieves of this feature for some of that 80s goodness like the time that Bill Willingham drew….and very well. Oh comics, will you ever cease to amaze me?
§ Wanna catch up with the tangled tale of Cassandra Cain? CHris Sims is your man.
§ A great career spanning interview with Society of Illustrators director Anelle Miller with a lot of information on her tim win the fashion industry:
FR: When did you transition out of Estee Lauder?
Anelle Miller: I transitioned out in 2005, about 9 years ago. I wanted to again make a change. I wasn’t sure about what I wanted to do. I needed to be more creative and surround myself with creativity. I started two companies on my own. One company did creative marketing for nonprofits. I was still consulting with Estee Lauder working on the archives for Origins and then started another company called Original Women that focused on female artisans around the world. I did that for two years and then I got a call from a headhunter who wanted to know what I was doing and where I was. She mentioned there was a top position at the Society of Illustrators and of course, I was beside myself, because I had been coming here to draw for 30 years.
§ Fan Expo, the 3rd biggest convention on the continent, wrapped this weekend but one smaller comics website complains that they are clamping down on press passes: now they don’t even give out Saturday press passes.
I don’t believe Fan Expo needs or really wants any press coverage: they have 100,000 or more email addresses of people who attend their show. A built-in captive audience they can sell to whom they know like the product they offer. One free pass means one body in the show who didn’t pay and is taking a spot in a packed convention centre that could have been occupied by a paying customer. Our site’s audience is interested in hearing about what back issues were available, how they were priced and what that means for the coming year. No cosplay, no toys, no video games. Just comics. End rant.
§ The Sydney Morning Herald, one of Australia’s most respected news outlets, either a) punker everyone or b) brought shame upon their nation by using fated font Comic Sans in a from page fumetti, that , to be honest, looks like I did it. THe paper was unrepentant.
“As for the newspaper, the decision was made to match the surreal nature of the shocking revelations at the ICAC (Independent Commission Against Corruption) — and it was felt the font would best depict the comic-book feel we were trying to give to the front; as if to make a mockery of the appalling displays in the witness box from a former politician and a current parliamentarian. I am very pleased with the result, but that’s about it.” In a show of total disrespect to design guidelines and the year 2014, Goodsir then described the font as “underrated.”
Heidi MacDonald is the founder and editor in chief of The Beat. In the past, she worked for Disney, DC Comics, Fox and Publishers Weekly. She can be heard regularly on the More To Come Podcast. She likes coffee, cats and noble struggle.