§ In case you missed it, that half million dollar Tezuka Kickstarter missed the mark by a huge margin. Johanna Draper Carlson has commentary. DMP publisher Hikaru Sasahara will probably have more to say about his, as they are examining their whole Kickstarter policy.
§ A misleading headline obscures the fact that a piece of Corto Maltese art sold for a record amount—a record for a piece of HUGO PRATT art. A page from “Les Ethiopiques” sold for €391,800 ($485,500), more than twice the estimate.
§ John Kane looks back at TWILIGHT, a “prestige” mini series that came out from DC back in 1990, written by the greatHoward Chaykin and drawn by the great Jose Luis Garcia Lopez. DC is releasing a collected edition next month, and you may just want to pick it up.
TWILIGHT is the story of a bunch of people who all get what they want and it ends up doing none of them any favours whatsoever. The bunch of people in question are mainly rejigged DC sci-fi characters who had lain mostly fallow since the ‘50s and ‘60s. Tommy Tomorrow, Star Hawkins, Manhunter 2070, Space Cabbie, etc. Even Chaykin’s own Ironwolf appears briefly, and his ridiculous wooden space ship proves pivotal to events. (If Adam Strange seems conspicuous by his absence; Richard Bruning had first dibs there). There are plenty of new characters but the gist of the thing was that these were yesterday’s characters of tomorrow, today. Oh, you know what I mean.
So yeah, Watchmen for Adam Strange. In all the talk last week about Morrison and Quitely’s Pax Americana, I recalled that there have been a LOT of Watchmen-type reëxaminations of the superhero. Rick Veitch’s Brat Pack, John Ridley’s The American Way, Dawryn Cooke’s The New Frontier, The Twelve by J. Michael Straczynski. NOT all of them are even negative. CALLING ALL THESES.
§ First Second editor Calista Brill remembers late copy editor Manuela Kruger.
§ Juliet Kahn interviewed Noelle Stevenson who will probably be an even bigger breakout comics star in 2015.
I don’t think that webcomics and Kickstarter and Patreon have made print comics obsolete by any means; god, no. If anything, we just have so many more paths to succeed. We’re defining this new wave of comics for ourselves. How can you not see how exciting that is? There’s no right or wrong way to do it. That’s why I like comics! They are limitless. There are people with webcomics who are pushing the limits of what comics can be — Emily Carroll, Ava’s Demon, etc. Some comics are made to be displayed digitally and it doesn’t degrade them. And there are innovations happening in print comics too. Anyone resisting that, clinging to some kind of idea of a golden age that we’re defiling somehow… well. That’s what’s becoming obsolete. Also I think one of the big sore points that the Sturm comic inspired — and honestly, the comic itself referenced this, so I think this may have been the point that it was trying to make — is that this idea of competition isn’t actually healthy for creativity. Someone else who succeeds isn’t ‘stealing’ your success. You gotta keep your eyes on your own board and do the best you can. The more good stuff exists, the better we make the field, and the more people can succeed within it.
§ I’m not sure if I linked to this before, but Megan Byrd has a very useful The Do’s and Don’ts of Pitching Your Comic For Review
§ Tom Spurgeon interviews Andrew Farago about his Teenage Mutant Ninja Turtles book and Farago touches on not TMNT affected so much of late-80s-early90s comics history
I could have spent a lot more time talking about the black-and-white publishing boom of the 1980s, but had to settle for making sure that I fit Dave Sim and Wendy and Richard Pini into the book. There was probably another full chapter to be had on the dual influences of Jack Kirby and Frank Miller on Eastman and Laird. And Tundra! Can’t forget about that. I’d have loved an entire chapter on Tundra and The Words and Pictures Museum and all of the fun stuff Kevin Eastman did during the Turtles’ biggest years. Every cartoonist I know swears that if he had millions of dollars, he’d start a publishing house and give all of his buddies all the money they needed so that they could focus on making comics without having any financial worries or editorial interference. And Kevin Eastman actually did that, and it was a wonderful, amazing, chaotic mess. A few all-time great comics came out of it, at least. Thank Kevin Eastman the next time you read From Hell or pull a copy of Understanding Comics off your bookshelf.
§ This interview reminded me that TMNT co-creator Peter Laird has a very active blog.
§ The Comics Reporter also ran one of those weekend listicles about Howard the Duck and I was reminded that the above comic is the favorite comic of 13 year old me until the universe ends.
§ Speaking of Howard the Duck, Steve Murray, whose pen name is Chip Zdarsky, get the Hometown Hero story of the weekend with “Marvel revives Howard the Duck with help of Toronto artist/”
§ Many people in my social networks were sharing this Name that Comic Book Artist quiz. I got 21/25 which, considering m profession, is pretty bad. I confess, I guessed the ones I wasn’t certain of by thinking “Who would be most likely to make that drawing error?”
§ Along similar lines, CBR is poling people on their all time favorite Wonder Woman artist. The top vote getters will Shock you! NOT REALLY.
As a comics critic, I never quite know what to do with terrible comic books when I come across them. I never go out of my way to read a comic book that I suspect will be terrible without any mitigating circumstances, and, when I do read one, I then wonder if it’s better to just not mention it anywhere at all, under the ignore-it-and-it-will-go-away school of thought, or if I should go out of my way to discuss the book and its negative qualities, so as to not let the only reviews of the book to get written by positive ones.
§ KONVENTION KORNER. Rob Kirby went to Short Run in Seattle and wrote a super chatty, comprehensive piece for Festival Season:
Tabling for me is above all a social event – I don’t make a living through my comics so I can be a little more relaxed and less mercenary about the money thing than others (though perhaps I could stand to be a little more mercenary, but let’s not talk about that now). MariNaomi and I have been friends for several years now, having met at APE back in 2008. She’s great to table with. She brought an extra tablecloth (I hadn’t thought to bring one) and shared snacks with me. She helped me through a couple of Square mishaps: I kept swiping the card wrong before finally getting the hang of it. I hadn’t tabled since SPX last year and was a little rusty. She didn’t mind if took off to take photos and hobnob a little (like John Porcellino, Zan Christensen and other cartooning people I know, Mari doesn’t like to leave her table too much). What more can I say, she’s the best. Her new book, Dragon’s Breath and Other True Stories (2D Cloud & Uncivilized Books), did brisk business all day long and yay, because it’s one of the finest books of the year and you should totally get it. And just because I’m biased doesn’t mean you shouldn’t listen to me on this.
§ BTW someone once complained to me about a con report here that began with getting up and getting to the train on time, and what he ate for breakfast and all that stuff. I find this kind of quotidian minutiae boring in most cases but for con reports it seems traditional! What do you think, readers?
§ Maia Kobabe has a list of Small Bay Area Comic Conventions that shows that the region isn’t entirely comics free.
§ 35,000 attended a comic in in Birmingham, UK that had nothing to do with comics, but did include stars from Red Dwarf and Breaking Bad. NEWSPAPER EDITORS: please include some teeny tiny mention of comics in your coverage of “COMIC CONS”.
§ Finally, according to my ancient obsolete RSS feed, John Jakala blogged for the first time in 10 months. Combine this with a coffee I had the other day with Matt Maxwell and the dream of the Aughts is alive in cyberspace.