Geoff Johns and Diane Nelson are riding to the rescue of Warner Bros. as they ready Green Lantern and Wonder Woman to become the blockbusters they were destined to be, according to this profile in the LA Times by Geoff Boucher and Ben Fritz.
The industry odd couple — she previously managed the Harry Potter brand for Warner Bros. but had no experience in comics, he’s a fan-favorite comic-book writer who had never worked at a studio — are the president and chief creative officer, respectively, of DC Entertainment, main comic-book rival to Marvel. Their task is to rummage through the massive DC library and finally get venerable characters such as Green Lantern, Wonder Woman, Flash and Aquaman on the silver screen for parent company Warner Bros. Their appointment, part of a restructuring of DC last September, is an implicit acknowledgment of the long dysfunctional relationship between the studio and its New York comic book unit.
Warner Bros. is counting on the pair to fly to the rescue and to do it soon — the Potter franchise, which has pulled in more than $5.3 billion at the box office, is winding down with its seventh installment this November and its finale next summer. The top Warner leadership is also frustrated that over the last decade it has been Marvel Comics characters — led by Spider-Man, the X-Men and Iron Man — who have won the hearts of moviegoers with franchises that have pulled in close to $8 billion.
The profile of DC Entertainment’s place in the Warners hierarchy is notable for its look into the current decision making process at the studio, and also for little nuggets like this tossed-off gem:
The biggest challenge for Nelson and Johns may be merging the cultures of the Warner lot in Burbank and the offices of DC, which are in Manhattan but may soon move to L.A.
Oh, you don’t say!
Rumors of DC moving to LA have been flying ever since Nelson took over last fall. The buzz at Comic-Con is that the move is coming sooner rather than later, although exactly how to dismantle DC’s well-populated NYC office remains a puzzler.
Oh the times, they are a-changin’.