Pow! Dan Nadel:
So, when I note that I like Paul Pope as an action cartoonist I mean I like him in a utilitarian way — like, I wish he’d drawn Batman for 20 years. I like him in a similar way as liking Gene Colan or even Alex Toth (though both are more interesting artists) — I just want to look at the comics and try not to read them. If you read them, for the most part, you’re sunk.
Sock! Tim Hodler:
A lot of this seems more like an ad hominem argument (what does Nick Cave have to do with anything?) than it does a critique of the book per se. Outside of that bit you quote from the Paris scene in issue four, anyway. That monologue really is one of the worst parts of the book, though you cut it off before it got semi-interesting (in a revealing way) — when the protagonist starts musing about “the Romantics”.
Bam! Frank Santoro:
So everyone knows about THB, right? THB was a big free-wheelin’ indie hit in the mid ’90s. After that, if I remember correctly, Pope did stories for Dark Horse Presents (and famously worked for a Japanese publisher around then, too), and after that, Heavy Liquid was his first book for the majors. I think on his Dark Horse stories they had someone else lettering. The idea was to polish Pope up. You can imagine the meetings at DC: “So, we’ve got to get him to tighten up the way the balloons are placed — and don’t let him letter the book himself–” So Pope agrees (I’m imagining all this) and uses a circle template for the balloons. And DC gets workhouse John Workman to letter it in a “futuristic” style.
Ongoing throughout the day.,..go join in the donnybrook!