Emerald City news round-up: 10 new titles from Dark Horse, Mouse Guard and more

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Here’s a quick round-up of new projects from Boom, IDW, Dark Horse and Valiant, including new stuff by Eric Powell, David Petersen, Jen Wang, and many many more.

Review: strange things are afoot in Bill and Ted’s Triumphant Return

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I wanted to like Bill and Ted’s Most Triumphant Return #1. And for the most part, I did. It’s got View Askew Productions veteran Brian Lynch on writing duties, who has done solid work for IDW’s Buffy the Vampire Slayer series spin-off Spike: Asylum. It’s got the art of Jerry Gaylord, who has lovingly personified other franchises like TMNT and Adventure Time. Yet while Bill and Ted were very much themselves, they also seemed to lose a little something in the translation.

Review: Big Con Job is a dark, meta, fandomy heist: and I can’t look away

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Palmiotti and Brady have created a group of characters instantly familiar to fans of comic books, science fiction and fantasy in general: aging TV stars wearily working the convention circuit to earn their daily bread. There’s the buxom, Princess Leia-like love interest to the pulpy, Captain Kirk-ish Buck Blaster in the aptly-named series ‘Treck Wars’. The pair look out into a sparse audience that has turned on them

Review: Punk rock and questionable choices are the ties that bind in Curb Stomp #1

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The time period of Boom Studio’s limited series Curb Stomp is somewhat tough to pin down. The clothing styles vacillate from the 50s through the 70s, which of course form the template for the hot styles of today. The convenience stores have a modern look, as does the one television set I spotted (there’s nary a cell phone or a computer to be found). At least for now, it doesn’t really matter: Curb Stomp traffics in a genre defined by the pulp novels and exploitation films of those aforementioned eras, so it makes sense that the look of it is something of a review of these periods.

Curb Stompage, Tiger Law and More with Ryan Ferrier [Interview]

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By Matt O’Keefe Ryan Ferrier jumpstarted his comic book writing career with the self-published Tiger Lawyer in 2010. In it he playfully poked at the wide breadth of interpretations of licensed characters, both story-wise and artistically, by splitting his creator-owned comic into two parts: one goofy and broad and the other dark and gritty, but both about the same protagonist. From […]