Game of Thrones started being a fantasy the minute the women started taking over

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“The Winds of Winter,” the finale to the sixth season of HBO’s Game of Thrones was one of the most thrilling episodes of television ever. It was triumphant, revelatory, sad, powerful – all the feels. Ramin Djawadi’s score was extraordinary, and brought a tear to my eye. And after six years we started to see […]

Column: A World Without Superman

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Years ago I found myself in Sofia, Bulgaria as part of the production team on a Dolph Lundgren movie I had written (in three days because that’s how the low-budget action kingdom works), kept around to do last-minute changes as is sometimes the case in filmmaking. Bulgaria was a remarkable place, a country with a much older history than America, a history you felt in the architecture, in the manner and the speech of people who had not forgotten the old ways.

Comics toxic heritage strikes again as DC editor named as sexual harasser

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The firing of Shelly Bond after more than 20 years of loyal service to DC has had an unintended consequence. Although referencing incidents utterly unrelated to Bond’s dismissal, it did stir outrage among those who detected a pattern of powerful women editors getting removed at DC while men who had  severe HR problems stayed. And so on […]

Meet Lilly Wachowski, trans filmmaker

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The second of the Matrix moviemakers, and sometime comics scripter/publishers (they had their own comics company called Burlyman for a while), has now come out as trans, introducing herself as Lilly Wachowski to the world. (She was formerly billed as Andy; sibling Lana Wachowski, who previously worked as Larry, came out as trans in 2010.) […]

Gender and Feminism in the Jem and th Holograms comic

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We’ve been writing quite a bit in the last year about the slow death of comics media, and one of the reasons is that it’s hard for a small, passion run site to compete with…the New Yorker? Here’s a think piece on the Jem and the Holograms comic by Stephen Burt whose bio tells us […]

Dark Horse president Mike Richardson releases statement on harassment

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In light of the incident involving Scott Allie and several attendees of the Boom! party at San Diego Comic Con that was brought to light earlier today, Dark Horse president Mike Richardson has released a statement:   I applaud Ms. Asselin’s Intentions in dealing with sexual harassment in the comics industry. I also want to […]

How a toxic history of harassment has damaged the comics industry

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At the recently concluded Small Press Expo in Bethesda a very cool thing happened. A bunch of awards were presented to several talented, unique cartoonists who are turning out though provoking, beautifully crafted work, influential work. The winners were all popular and well deserved. And they all happened to be women. It was a thing, for sure, and much talked about. What struck me, first off, was just how strong the work was–Sophie Goldstein’s multi leveled future history of a world where having a baby became a rebellious act, Emily Carroll’s mastery of horror and structure, Eleanor Davis’s powerful examination of self-sabotaging quests for self-esteem in many settings.

The other thing that struck me was the contrast with the other conversations I was having at the show. Talking with people I used to work with in the “mainstream” comics industry about the long lists of men who would never have given Goldstein, Carroll or Davis a shot at telling their stories. Because they are women, and those people didn’t think women could make good comics.