Brooklyn is, despite the gentrification covering a huge swath of the entire borough, still home to a few people who don’t shop at Kitsuné; and most of these urban poor seem to be cartoonists, which Brooklyn also has a huge population. The local website Brokelyn catches up with a few of them for survival tips. Brendan Leach, Leslie Stein and Lisa Hanawalt, (whose book on farts for children is excerpted above) give their recipes for ketchup soup and other practical hints:
CBR has a nice roundtable on creator-owned comics that rounds up Robert Kirkman, Mark Millar, and Steve Niles. Since they are all “strongly for” the piece doesn’t really ignite any banter, but it does allow many long, entertaining manifestos. For instance, how Millar terrorized Alan Moore when he was a teen.
Marvel is going all cosmic in the movie world, and Thanos, a character created by Jim Starlin, is at the heart of it.
The evidence is unavoidable. First it was the Thanos cameo at the end of the Avengers—supposedly thrown in because director Joss Whedon was a fan of the character and a cosmic storyline is integral to keeping him on board for Avengers 2.
I’ll make it short and sweet: creators have to create. Marvel and DC no longer allow them to do that, except within rigidly proscribed guidelines. And the Paolo Riveras of the world are going to have to move on. It might not be too long before the Big Two are just steppingstones to get your name out there for even bigger things.
"Once creator ownership was on the table, the moviable properties were largely works that creators maintained ownership of."
Continuing the thread of inquiry that has been going on here at The Beat of late, Dean Haspiel has a nifty little slideshow for you.
Ruben Bolling, aka Ken Fisher, is much loved in most quarters for Tom the Dancing Bug, his long running, surgical strike weekly political comic. Of course, the field for weekly political comics is not exactly busting at the seams with dough. So recently Bolling came up with a new idea, called The Inner Hive which would offer a subscription model for goodies to readers:
Like any good cartoonist and comics evangelist, a road trip cannot just be days of blasting Mates of State and stopping at roadside attractions like Corn Palace. No, no, on my trip from The Center for Cartoon Studies in White River Junction, VT to Fantagraphics in Seattle, WA will be punctuated by a few stops to conduct portfolio reviews and drop off some Schulz Library tote bags at great comic book stores across America.
Creator/publisher Zak Sally weighs in on the Kirby Matter, and the actions he suggests are more proactive:
actually, over the course of writing this, i think i DO have an answer– not THE answer, but an idea anyway: it’s somewhat presumptive on my part, and it is NOT what “should” happen, but it falls under the category of “the least you could do”.
The Comics Journal jumps right back in the fray with an exit interview with Chris Roberson, who uses the occasion to express thoughts Twitter cannot contain. According to Roberson, his distaste with BEFORE WATCHMEN was stated in podcasts, but no one picked it up until his tweets were posted. The whole thing is one big must-read, but here are some quite nice statements that no one can possibly take issue with in the comment section:
The date was December 9th, 2011 when cartoonist and Center for Cartoon Studies professor Alec Longstreth shaved off his beard and shaggy do. A promise to himself in 2008, he decided to chart his progress through pictures of his hair and beard growth that would undoubtedly remind him daily of his commitment. Living in a small town with a beard as his shadow, Longstreth went from industrious Fellow of the school to an instructor of both summer workshops and graduate classes to the Acting Director (while James Sturm takes a much-needed sabbatical) . Even after all the excitement, he is still growing and evolving, deciding to learn watercolor on the side. Venture on to read more about the amazing cartoonist Alec Longstreth.