As I’m writing this, it’s Sunday and things are slow. At my former place of employment, Sundays were one of our busier days – people tend to have the day off, and wander into the store looking to blow some of their hard earned cash on comics and other sundry bits of pop culture. Here, […]
In Kieron Gillen’s talk on Alan Moore’s and Dave Gibbons’ Watchmen, Gillen emphasizes themes of time and cyclicality present in Moore’s graphic novel. Temporal symbolism recurs in everything from the Doomsday clock interstitials between chapters to Rorschach’s ever-shifting face to Dr. Manhattan’s past as the son of a watchmaker. Gillen, working alongside artist Jamie McKelvie, […]
Yesterday The Mary Sue published an article suggesting that for-profit comic-cons could be violating federal labor law by not paying minimum wage to workers improperly classified as volunteers. However, a recent case involving Major League Baseball shows how ReedPop and other commercial comic-con ventures could beat the tag.
Last month, via the BOOM! Studios PR mailing list, I received a letter, containing a copy of a guest editorial by Ross Richie, CEO and founder. You can read it here. Go ahead… I’ll wait. Here’s his reason for doing this: We know where we’ve been—our favorite eras, our favorite characters, our favorite runs. We already know […]
Event comics are supposed to be the big sellers and pull in the widest possible audience, correct? (Key word being “supposed.”) I’m looking at the December sales estimates and scratching my head over Convergence and Secret Wars. Convergence is supposed to be spinning out of Futures End/Worlds End (and Worlds End is practically an extension […]