A round-up of news from the FIBD in Angoulême, with a sale from Comixology, live reports on bomb sniffing dogs, a prize for LES ROYAUMES DU NORD, continued controversy over Sodastream, and questions over just how many people actually attend the festival.
Meanwhile in Angoulême: Charlie Hebdo gets special prize; Comixology coverage and just how big is it?
OSU’s Billy Ireland library and Museum continues to amass more important collections or archival papers with the announcement that editorial cartoonist Tom Tomorrow aka Dan Perkins will be donating his papers to the institution. Tomorrow is a alt.weekly mainstay whose made the transition to the inetrent world, with his trenchant comics found in 70 papers, Daily Kos, The Nation, and The Nib.
But this year, The Diary of a Teenage girl, based on the hybrid novel/comic by Phoebe Gloeckner, and directed by Marielle Heller is getting very strong reviews. The film stars 22-year-old Bel Powley as Minnie Goetz, a teenage girl whose emerging sexuality finds an outlet in an affair with her mother’s boyfriend. (Kristen Wiig and Alexander Skarsgaard play the mother and boyfriend.) Strong reviews have led the way to the film being picked up by Sony Classics already.
Marjorie “Marge” Henderson Buehl, the magazine cartoonist who created Little Lulu, and Bill Woggon, creator of Katy Keane, an early example of crowd sourced comics, have been selected for the Will Eisner Comic Awards Hall of Fame by this year’s judges. An additional 13 names will be on the ballot for the awards: Lynda Barry, […]
January 7th, 2015 will always be a grim date in for free speech, tolerance and French cartooning. As we all know, 12 people, including 10 staffers and four cartoonists were killed in a terrorist attack on the offices of French satirical magazine Charlie Hebdo yesterday morning. The attack—which some called the 9/11 for France—left grieving and reeling for those lost and for a world in which such a senseless act could occur. The four cartoonists killed—Georges Wolinski, Charb, Tignous, and Cabu—included one Angouleme Grand Prize winner, Wolinski, who won in 2005. It was a grievous toll.
By Matt O’Keefe A few months ago, editor-in-chief of The Beat Heidi MacDonald shared on social media that she’d been interviewed for the comic book podcast Stuff Said. I really enjoyed her conversation with host Gregg Schigiel, and soon after listening to that episode I devoured the rest of the show’s catalogue. I learned that Gregg Schigiel is […]
I’ve long been awaiting Jeff Trexler’s analysis of the Marvel/Kirby Settlement, and he starts a two-part piece with Should the Kirby Family Have Settled? In case it hasn’t been explicitly stated enough, it was Trexler’s exploration of the potentially ground breaking work for hire aspects of the case that Kirby family attorney Marc Toberoff seems to have used to get the Supreme Court to even look at the case. To allow it to go to decision would have established an important precedent—but it was extremely risky for the Kirby heirs:
The Angoulême Festival International de la Bande Dessineé for 2015 has released the schedule of art exhibits, spotlights and other goodies. They attached this as an English-language pdf which I’ve inserted below. There are several amusing typos on the list, see if you can spot them. All that aside, this is a pretty stunning—and cosmopolitan—line-up, […]
Although The Beat is a loyal New Yorker subscriber (it’s the only thing that holds our attention whilst on the elliptical) just beause you’re a subscriber does’t mean you get the Cartoons of the Year special edition. However if our email is to be believed, this issue includes several new pieces that may necessitate a trip to the newsstand.
This photo was posted on Marvel.com in a piece commemorating Veteran’s Day.
Obviously there is no one in comics more suitable for this kind of salute than Kirby who would tell his war stories to all.
JACK KIRBY ON MARVEL.COM
By David Nieves Even though Los Angeles is the entertainment capital of the world, ten years ago, you’d be remiss to find comic conventions, toy shows, or most other forms of pop culture gatherings. The monthly mini show at the Shrine Expo was at times more a flea market than a convention and Frank and […]
On Monday, James Sturm, cartoonist and director of the Center for Cartoon Studies, posted a cartoon at The Nib called “The Sponsor”. I’m sure if you are a cartoonist you’ve already read it, since it was the talk of the town for a few days. Basically it concerns cartoonists, jealousy, the low bar for success, anxiety over one’s abilities, tumblr hits, Kickstarter and more. All in 24 panels. I’d call that a good job.
The basic conceit is that as in various 12-step programs, cartoonists have sponsors they can call in moments of stress. A young cartoonist named Casey calls his sponsor, Alan, in the middle of the night to fret about another cartoonist named Tessa who has a six figure Kickstarter, a line out the door at a Rocketship signing, and a book deal with D&Q. Tessa’s success sends Casey into such a tizzy that he has to work things out and consider grad school, despite Alan’s insistence that Crumb never thought about hits. And despite his “stay strong” rhetoric to Casey, Alan soon picks up the phone to call his OWN sponsor.
Buy a copy of The Walking Dead Vol. 1 with an original oil painting by Ben Templesmith for an absurdly low price
Renowned horror/fantasy artist Templesmith has been experimenting with hand-painted covers for several books, and this is an original one of a kind oil painting done on a copy of The Walking Dead Volume 1. The painting was varnished, and I don’t know if you can read the book inside, but it seems to me that this is a pretty darned sweet collectible…especially for Halloween.
Also…Christmas is coming.
More Templesmith stuff at the 78Squid retail website.