You Can Never Be Me by Patrick Kyle There’s a meme (as I believe they’re called) that I see cropping up fairly regularly in my forays of Internet yonder. Here, allow me to show you: Batman is a seductive fellow, isn’t he? Fetishes aside, one of the main appeals of the character is that, theoretically, anybody […]
On the 14th of September, in a satellite event leading up to the Small Press Expo in Bethesda, Maryland, comics creator Dean Haspiel took the podium in the James Madison building of the Library of Congress to make a little history on the basis of a subject small in size but impressive in cultural impact: mini comics. Haspiel had previously announced his personal 600 item donation of the comics, self-published and often diminutive in size, to the LoC via Warren Bernard, Executive Director of the Small Press Expo, who helped to arrange and conduct the donation. Haspiel’s donation will be part of a sub-grouping within the newly established Small Press Expo collection at the LoC. The collection will contain, among other worthy selections, past and future Ignatz Award nominated works. Haspiel was particularly appropriate to take the stage and explain the role of indie comics to his audience because his work has appeared in both mainstream comics like Marvel and DC as well as creator-owned and small press publications. As such, his works are actually filed under more than one category at the LoC: mainstream comics and mini comics.
By Steve Morris Avengers Assemble, Captain Marvel, and Pretty Deadly not enough for her, writer Kelly Sue DeConnick has taken on a new project, at the request of a young writer she met, called Winter. As described way better on DeConnick’s blog (which you should read before continuing with this piece), Winter first approached the […]
August 17-25, members of Canadian independent comic book collective Colosse tour from San Francisco to Vancouver BC with multimedia readings of their acclaimed and edgy works, followed by book signings. Authors include Sophie Yanow (In Situ, a graphically daring, poetic journal strip) and Francois Samson-Dunlop and Alexandre Fontaine Rousseau (Pinkerton, an indie-rock rom com about getting over a truly 90s breakup in a post-90s world). Don’t miss this rare West Coast appearance!
Tom Neely’s HENRY AND GLENN FOREVER comic is a classic mini that envisions two punk icons — Black Flag’s Henry Rollins (once of Black Flag) and Glenn Danzig (once in the Misfits) — as a gay couple with sitcom problems — dealing with jealousy, having Hall and Oates over for dinner. Imagine a punk METALOCALYPSE you can put in your pocket.
Danzig — a notoriously feisty scrapper who’s been known to pop people in the snoot and once was a credible choice to play Wolverine — is no stranger to comics. He once ran his own Verotik line and was a pioneer of the comics Nerdlebrity. However, his reaction to the comic has been crabby ranting.
Now Rollins, who is also a published poet and photographer, has gone on the record with his own response, in a video interview with Narduwar the Serviette. The bit begins at about 6:18.