By Nicholas Eskey Shawnee and Shawnelle Gibbs it seems were each destined to be creative. Both writers and illustrators, these sisters are the founders of Reel Republic, the production umbrella for their works. The team boasts credits such as the award winning animated short Ravishing Rasberry, popular online series Adopted by Aliens and Old Ladies […]
Above: the EXCLUSIVE first look at the cover to Inheritance #1 As we’ve been ruminating here for a while, digital comics are well established for various platforms—phones, tablets and computers—but with mobile becoming the main way people interact with the world, comics have yet to be natively optimized for reading on phones. A new company, […]
It’s been a while since we had a good :future comic” on this site, as they’ve become way too inexpensive to produce, but here’s one that is beautiful, inventive AND moving. The Boat adapts the internationally acclaimed Dylan Thomas Award-winning story by Nam Le about Vietnamese resettlement in Australia following the fall of Saigon in 1975. It was commissioned by Australian TV network SBS and their interactive unit has created a scrolling graphic novel that uses limited animation, archival footage, text, gorgeous hand drawn art by Matt Huynh and sound design by Sam Petty (Animal Kingdom, The Rover) sound to tell this story.
There are many layers of irony to the mere existence of Fight Club 2. The original novel, beneath its hyper-masculine exterior, is a critique of traditional masculinity and mass-market consumerism. It reinforces the notion that there is something wrong with capitalist America even as it undercuts the validity of Project Mayhem’s response to those ills. […]
As digital comics have become a cornerstone of comics reading, several companies have offered their own version of a technology which allows the panels to transition for digital reading. Comixology has “Guided View,” Marvel has its Unlimited technology; iVerse offers uView. The iVerse systems can be applied by users to comics viewed through their platforms, and Comixology also allows publishers to adapt their own comics.
Yugoslavian software developer Zoran Bosnjak writes to inform us of a new open source software that allows you to apply this kind of technology to any comic. It’s called Comic Smart Panels Creator & Viewer (available for Windows for now) which allows fluid panel animations and scaling for any kind of comic. Balloon sequence can also be defined, as seen with the Thrillbent comics and other “ecomics” platforms.
By Nick Eskey Known for being the fan favorite of major conventions, with its relaxed nature and lines, WonderCon has been gaining in popularity over the last few years. For this last WonderCon, I was a little underwhelmed with the pick of panel selections, so I decided to spend more time on the sales floor […]
NOTE: the below is me spitballing at 3 in the morning just to get some dialog going. I invite your comments and corrections. I’ve had this news item floating around for ages and kept meaning to write it up: Symbolia, the journalistic comics magazine for tablets, has wrapped up its final issue. Founded by Erin […]
The New York Times has been dabbling in “future comics” type stuff over the past year orzo, and they se Lille Carré up to bat and she hits a home run with The Bloody Footprint an inquiry into memory and and identity that cleverly uses the scroll and gif panels for an effect distanced enough for memory and sharp enough for contemplation.
There haven’t been many new developments in the “Future comics” category of late; that is comics that use animation, gifs, or other tablet- or web-based technology as a storytelling tool, beyond Madefire’s leading the category. It seems like motion comics and the costs of developing platforms have sort of put this on the backburner…plus guided view and the like are now such a standard aspect of reading comics that they don’t elicit much comment.
F YEAH!!!!!! If there is one Halloween tradition in comics that must be kept is a new digital comic by Emily Caroll! Her previous uses of the digital palette to create horror has made her one of the few true autuers of “future comics”—and the print iteration, Through the Woods is one of the best graphic novels of the year. Her previous horror comics like His Face All Red, Margot’s Room, Out of Skin and The Hole the Fox Did Make are all classics of terror and digital storytelling.