Photo via @eee Possibly the best SPX ever—and definitely the most financially successful one. That’s what everyone was saying last night. By 4:30 Fantagraphics had made more money than they did at all of last year’s show. Similar stories were reported at PictureBox, Nobrow, D&Q and everywhere really. With a bigger floor space and a […]
This weekend The Small Press Expo takes place in North Bethesda, MD, offering what seems to be a once in a lifetime lineup of guests: Dan Clowes. Chris Ware. Both Hernandez Brothers. No one ever seems to remember seeing them all in one place before. They won’t all be on the same panel, but there is one featuring Clowes, Los Bros and Adrian Tomine. Get there early.
Meanwhile, in Chicago it was the all-time greatest cartoonist confab, the Comics: Philosophy and Practice event, which was overshadowed a bit by the presence of a NATO summit in Chicago at the very same time—apparently traffic and security were taxing.
Christopher Borelli’s report is written contrasting the two summits, while noting the enormity of the attendees:
While any noteworthy comics events are taking place this weekend, the not notable—and perhaps the most notable in recent comics history—is taking place at the University of Chicago’s new $114 million Reva and David Logan Center for the Arts: the Comics: Philosophy and Practice symposium organized by Hilary Chute. The lineup?
Are we the last possible person to link to Michael DeForge’s poster for this Saturday’s Doug Wright Awards? Possibly. It’s also a reminder that we’ll be at TCAF this weekend! First time and we couldn’t be more excited! The webste has all the debuts, guests, party poop, programming and other info you could possibly need, so we’ll just direct you there for everything except to note that we’ll be moderating this panel on Saturday at The Pilot:
If you haven’t checked out the Study Group webcomic site, you are missing some great stuff, which we hope to be spotlighting in more depth very soonish, but for now, here’s The Blonde Woman – Part 1 – by Aidan Koch, an abstract, mysterious opus that many art comics readers have been buzzing about.
Published by and available from Secret Headquarters.
The acclaimed Portland-based Study Group 12 anthology is starting up a web comic portal for several of their contributors, with regular series & one-shots included, in addition to regular blog posts like this one on Craig Thompson’s Habibi process.) From their blog: We’ll be uploading new comics every weekday at noon EST, with the occasional […]
Jason Lutes has been working on BERLIN, his tale of Weimar Germany, for something like…14 years. And although it’s been about a year between issues, a new issue has been delivered to the DQ offices and publisher Chris Oliveros marvels at their craft:
Jason is the consummate professional. Did you know that there is not a single use of “white out” on any of these 24 pages? Pen to paper for close to a couple of hundred panels, all done with flawless efficiency.
The featured guests for this Decembers Brooklyn Comics and Graphics Festival have been announced, and it’s pretty spectacular: CF, Jack Davis, Phoebe Gloeckner, Lisa Hanawalt, Chip Kidd, David Mazzucchelli, John Porcellino and Brian Ralph.
If you are like us, you are most excited about the chance to meet the legendary Jack Davis, who was not only an EC Comics mainstay, but one of the original MAD artists and one of the most influential illustrators of the 60s and 70s with his unmistakeable “bigfoot” style. So YEAH. Amazing.
The new issue of ARTnews has a nice survey of the fine art/Comics crossover:
The nominees for the 2011 Ignatz awards have just been announced. The nominees represent the best of indie comics and were selected by a five person panel consisting of Rina Ayuyang, Mike Dawson, Kris Dresen, Theo Ellsworth, and John Porcellino. Winners will be selected by attendees of the Small Press Expo and presented at the gala Ignatz Awards ceremony held on Saturday, September 10, 2011 at 9:00 PM with host Dustin Harbin.
Multiple nominees include Edie Fake, Michael DeForge, Sammy Harkham and Carol Tyler.
The MoCCA Festival at the Lexington Armory a few days ago was a fun weekend — the numerous photo shows filled with smiling faces of dedicated artists and publishers show that. Look at Peggy Burns’ engaging set or Dan Nadel’s. Fun is fine, of course, but that’s not entirely why people go to indie shows like MoCCA, SPX, and TCAF. I’d argue that the social aspect of hanging out with fellow cartoonists is a major motivation for attending, but that’s not why D&Q or PictureBox or Fantagraphics attends. These are important shows for promoting authors and selling books.