BY JEN VAUGHN – Cartoonist James Sturm wrote an insightful piece on submitting cartoons to the New Yorker posted on The Slate. As a cartoonist or unfortunately termed ‘graphic novelist,’ Sturm is used to drawing stories in the long term, stretching a few hundred pages, panel upon panel upon panel upon YES, panel. How Sturm spent his summer vacation was a cartoon a day to build up a keeper-portfolio for The New Yorker. Sturm relearned to let go of the beats you find in a long-form comic to sketch loosely and effectively situations right after that something funny, something intangible occurred. He includes many of his cartoons in the article including this close-to-home joke and one of my favorites, when the caption is recycled for a different situation.
Trolling the internet while on vacation, I was chilled down to the bone (impressive given the 100+ temperatures in Texas) to see on the announcement on the Center for Cartoon Studies website that the Xeric Award would be no more. Since 1992, Peter Laird of the amazeballs black and white comic Teenage Mutant Ninja Turtles (self-published in 1984) has granted two awards a year to a cartoonist or project for its excellence.
The Maine Comics Art Festival gains momentum with each passing year like the gentle fog we kept hoping would come visit this year. The Saturday night before the show started out just right with a stop off at Casablanca Comics.
The Maine Comics Arts Festival is in its third year of providing Portland, Maine – Yes, the other Portland – with a wide array of comics by East Coast cartoonists. Sitting on the beautiful waterfront, attendees and exhibitors will be graced by a fantastic view of the water and the perpetual fog that sleeps atop Portland.
As promised, here are more photos of Stumptown: the comics festival and the parties that just won’t quit!
BY JEN VAUGHN – This past weekend, The Beat left the wet and mountainous regions of the East Coast for the wet and mountainous regions of the West Coast to revel in the majestic small press show that is Stumptown Comics Festival. Having recently moved from the Doubletree Hotel to the Oregon Convention Center, more artists and cartoonists would be to showcase their work for eager audiences.
Art schools and apprenticeships find themselves more popular than ever, let’s all tip our hats to inspiration artist Rudolph Töpffer’s for his creation of boarding school for boys. While anyone can teach themselves and become successful on their own, a lot of the specialty schools allow access to equipment, connections, mentorship of working professionals and opportunities in a condensed amount of time that are priceless.
Comic fans care about the character or than a particular story. Be true to the characters and fans (in general) will be pleased.
Much to my surprise there was a comics meet up but further research proved there was an anime AND a furry meet up but I only had time for one. Noah Kuttler, local creator, moderated between aspiring cartoonists, publishers and one sassy-ass reader.
With the continuing tradition of the band poster convention, FLATSTOCK, in Austin and the gaggles* of cartoonists, designers and journalists, there is no surprise that one of the Interactive panels focused on How Print Design is the Future of Interaction. One full room of print people eagerly waiting to hear what only one man, Mike Kruzeniski, had in mind. Kruzeniski works for Microsoft and is key in the development of the Windows Phone 7.