Fables ending with issue 150 — UPDATED Fairest ending too

All good things must come to an end and after a 10+ year, 150 issue run, Bill Willigham has announced the end of Fables. The huge and loyal fanbase will be left devastated by this, but….every fairy tale has an ending. On his website, he wrote:

UPDATE: WIllingham’s interview at Newsaramais up now, and he explains more including that FAIREST will also be ending, tentatively the month before the final issue of Fables.

Issue #150 is about 15 months away, and several storylines will converge with the final issue.

Fables is also currently in development as a film, and a game from Telltale is out now.

Opinion: Rest assured, in five years we’ll have a Fables reunion issue and in 25, Fables the Overture. A story this good and popular won’t just vanish. Maybe now Willingham can revive the Elementals?

Willingham: Well, we have the end of the "Camelot" story. We have, following that, a two-issue story that's sort of a side story, but it sets up the final, big saga. And that story is called "The Boys in the Band." And it's all about Boy Blue's Band up at The Farm. They go off on an adventure together. The adventure sort of lays the groundwork. It asks a few specific questions that, the answer to those questions are the last big Fables saga. And then that lasts for nine issues, I believe, ending in issue #150, which is going to be an oversized issue.

Here’s the first announcement

After more than ten years of publication, and hundreds of issues of Fables, and various Fables-related works, I have decided the time has come to begin the process of bringing our sweeping story to a close. And, along the way, I’ve decided to retire from a great deal of my comics work.

Retirement in the storytelling trade means, still working and writing every day, but being a bit more selective in what projects I take on. Pushing 60, I thought it would be a good time to start making concrete plans for those remaining good writing years.

Fables will end with Issue 150, which will be a larger than usual size, as were many of the other milestone issues. Fairest, our companion series, will also come to an end just before the big final Fables issue.

Both DC and I will announce more details later on, but first and foremost I wanted to let our wonderful readers know about this as soon as I could, and note that our story plans leading up to Issue 150 made it increasingly clear that this upcoming saga should naturally be the final story.

Allie Brosh is probably the best selling cartoonist of the year


Allie Brosh’s debut book Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened came out earlier this week, and it’s selling very well. I took a snapshot of Amazon sales on Wednesday and just now. On Wednesday it was the #5 book over all, and it’s still the #8 book over all, indicating a steady stream of sales. (Amazon tagged it as the best book of the month.)



I’m told that at a Wednesday night signing, Brosh signed for more than three hours, in front of a packed, SRO room, sketching in everyone’s book. Already a huge internet phenomenon, Brosh’s highly personal and hilarious stories speak directly to a huge audience of women and men who are still trying to figure things out—unlike Beat commenters who have EVERYTHING FIGURED OUT IN DETAIL AND AREN’T AFRAID TO LET EVERYONE ELSE KNOW IT.

I’ve already seen some traditional comics outlets questioning whether this is a book of “comics” or not—and of course there are long stretches of prose, accompanied by what are definitely cartoons. (I asked a Brosh fan of my acquaintance about the question of whether Brosh is a cartoonists or not and she literally snorted.) The drawings are crude, it must be said. In fact, they make Drabble look refined. But they reflect the personal nature of the work, the pain, occasional alienation, disappointment, and general flailing about that Brosh chronicles. Every young woman has felt like Brosh’s misshapen, wide-eyed squiggle at some time in their lives—myself included. It’s definitely comics. And you know what, comics industry, you need to embrace Allie Brosh as a cartoonist because, like I always say, DON’T DISTANCE YOURSELF FROM SUCCESS.

Also, when you click on Brosh’s Amazon page the most interesting thing is the “Customers Who Bought This Item Also Bought” listing. (Click for larger.)
The Oatmeal, Kate Beaton, Clare Belton. Today’s link is the XKCD book. Pretty clear indications of the ascendance of webcartoonists in the book reading (as opposed to fan) side of comics.

Anyway this is part of the wave of NEW READERS in comics. Part of why things are going so well right now. These are not your “pap pap” comics. Readers who are passionate about authors. I don’t expect anyone in the “comics-niscenti” end of things to ever accept Brosh as a cartoonist or to engage with her work. Luckily, that attitude doesn’t matter.

BONUS: long interview with Brosh at Mother Jones.

Happy All Saints’ Day!


I never get tired of this.