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	<title>Comments on: DC update: DiDio not going anywhere</title>
	<atom:link href="http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/</link>
	<description>The News Blog of Comics Culture</description>
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		<title>By: Trackback - Cheap Internation Call &#62;&#62; How to make cheap international call</title>
		<link>http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41415</link>
		<dc:creator>Trackback - Cheap Internation Call &#62;&#62; How to make cheap international call</dc:creator>
		<pubDate>Thu, 19 Nov 2009 21:56:06 +0000</pubDate>
		<guid isPermaLink="false">http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41415</guid>
		<description>,..] pwbeat.publishersweekly.com is one another nice source of tips on this issue,..]</description>
		<content:encoded><![CDATA[<p>,..] pwbeat.publishersweekly.com is one another nice source of tips on this issue,..]</p>
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		<title>By: avodartus</title>
		<link>http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41414</link>
		<dc:creator>avodartus</dc:creator>
		<pubDate>Thu, 25 Dec 2008 19:03:14 +0000</pubDate>
		<guid isPermaLink="false">http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41414</guid>
		<description>&lt;a href=&quot;http://writing.colostate.edu/blogs/view.cfm?blogid=42558&quot; rel=&quot;nofollow&quot;&gt;reduction by dutasteride of&lt;/a&gt;</description>
		<content:encoded><![CDATA[<p><a href="http://writing.colostate.edu/blogs/view.cfm?blogid=42558" rel="nofollow">reduction by dutasteride of</a></p>
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		<title>By: Jenny</title>
		<link>http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41413</link>
		<dc:creator>Jenny</dc:creator>
		<pubDate>Tue, 23 Dec 2008 10:35:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41413</guid>
		<description>Interesting article. I found some more information &lt;a href=&quot;http://www.sourcearticle.info/?id=MzU3OCxQaWN0dXJlIFB1Ymxpc2hlciww&quot; rel=&quot;nofollow&quot;&gt;here&lt;/a&gt;</description>
		<content:encoded><![CDATA[<p>Interesting article. I found some more information <a href="http://www.sourcearticle.info/?id=MzU3OCxQaWN0dXJlIFB1Ymxpc2hlciww" rel="nofollow">here</a></p>
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		<title>By: spib</title>
		<link>http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41412</link>
		<dc:creator>spib</dc:creator>
		<pubDate>Fri, 25 Jul 2008 17:22:02 +0000</pubDate>
		<guid isPermaLink="false">http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41412</guid>
		<description>&quot;Dan Says:
06/24/08 at 2:22 pm

It’s also important to separate out people in general, and those on the internet. People on the internet complain. About everything. And they are certainly not, in any way, representative of the general public.&quot;

right because internet users aren&#039;t real people at all and comic book fans especially never EVER use the internet.</description>
		<content:encoded><![CDATA[<p>&#8220;Dan Says:<br />
06/24/08 at 2:22 pm</p>
<p>It’s also important to separate out people in general, and those on the internet. People on the internet complain. About everything. And they are certainly not, in any way, representative of the general public.&#8221;</p>
<p>right because internet users aren&#8217;t real people at all and comic book fans especially never EVER use the internet.</p>
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		<title>By: what can i do fun this weekend in washington dc</title>
		<link>http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41411</link>
		<dc:creator>what can i do fun this weekend in washington dc</dc:creator>
		<pubDate>Tue, 15 Jul 2008 21:07:03 +0000</pubDate>
		<guid isPermaLink="false">http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41411</guid>
		<description>&lt;strong&gt;what can i do fun this weekend in washington dc...&lt;/strong&gt;

Sounds interesting but not for every one....</description>
		<content:encoded><![CDATA[<p><strong>what can i do fun this weekend in washington dc&#8230;</strong></p>
<p>Sounds interesting but not for every one&#8230;.</p>
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		<title>By: Dan DiDidio&#8230;.stickin&#8217; around &#171; King of the Nerds!!!</title>
		<link>http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41410</link>
		<dc:creator>Dan DiDidio&#8230;.stickin&#8217; around &#171; King of the Nerds!!!</dc:creator>
		<pubDate>Wed, 25 Jun 2008 16:11:01 +0000</pubDate>
		<guid isPermaLink="false">http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41410</guid>
		<description>[...] Dan DiDidio&#8230;.stickin&#8217;&#160;around The below picture, featured prominently over at the PW website from an blog entry claiming DC Editor-in-Chief Dan DiDio&#8217;s contract was renewed, looked oddly familiar. [...]</description>
		<content:encoded><![CDATA[<p>[...] Dan DiDidio&#8230;.stickin&#8217;&nbsp;around The below picture, featured prominently over at the PW website from an blog entry claiming DC Editor-in-Chief Dan DiDio&#8217;s contract was renewed, looked oddly familiar. [...]</p>
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		<title>By: Episode 48 - We are Hulking Out</title>
		<link>http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41409</link>
		<dc:creator>Episode 48 - We are Hulking Out</dc:creator>
		<pubDate>Wed, 25 Jun 2008 06:08:39 +0000</pubDate>
		<guid isPermaLink="false">http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41409</guid>
		<description>[...] Morrison throws DC editorial under a bus. Dixon left DC, so we chat a little bit about him. And Pacheco&#8217;s fill in art. Yeah, blerg indeed. But, according to Heidi MacDonald not only is DiDio&#8217;s job safe, he&#8217;s just had his contract renewed. [...]</description>
		<content:encoded><![CDATA[<p>[...] Morrison throws DC editorial under a bus. Dixon left DC, so we chat a little bit about him. And Pacheco&#8217;s fill in art. Yeah, blerg indeed. But, according to Heidi MacDonald not only is DiDio&#8217;s job safe, he&#8217;s just had his contract renewed. [...]</p>
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		<title>By: God is tired of DC too</title>
		<link>http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41408</link>
		<dc:creator>God is tired of DC too</dc:creator>
		<pubDate>Tue, 24 Jun 2008 22:37:28 +0000</pubDate>
		<guid isPermaLink="false">http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41408</guid>
		<description>That&#039;s funny, Crisis Averted, I used Final Crisis #1 as toilet paper. To each his own...</description>
		<content:encoded><![CDATA[<p>That&#8217;s funny, Crisis Averted, I used Final Crisis #1 as toilet paper. To each his own&#8230;</p>
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		<title>By: Crisis Averted: On with Final Crisis</title>
		<link>http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41407</link>
		<dc:creator>Crisis Averted: On with Final Crisis</dc:creator>
		<pubDate>Tue, 24 Jun 2008 19:26:12 +0000</pubDate>
		<guid isPermaLink="false">http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41407</guid>
		<description>[...] If you gravitate to comic communities I participate in this is where the broken record starts - I loved Final Crisis#1 and one of the main reasons I&#8217;m glad Heidi Macdonald is reporting that Dan Didio is getting an extension (after a really silly internet-spawned attempt at a Shellian neighborhood watch meeting with people a bit too much in the cups or just generally ignorant as Shelly portrayed) is that I want what looks to be a promising platform to be able to go through being a key and sanctioned part of current administration and not be something a new EIC would want to put past him or her. I&#8217;m excited not because it&#8217;s this superior single issue; sure I found it solid, but I like it more because for the first time major EVENT in comic book history that we have a modern writer at the helm. I don&#8217;t care if a lot of it is (and it is) bastardized Moorcockian themes and ideas: Seven Soldiers, Shade, Doom Patrol, Arkham Asylum, The Invisibles - all incredible, and he wrote the X-Men the last time it was remotely readable and unlike almost every &#8216;classic&#8217; X-Men story it still stands up no matter how much MARVEL wants to cajole Mephisto into magiking (Marvel editorial&#8217;s geek word for deus ex machina - which you know, we all love) it away. With recent event I found myself either involved in issues that were just a means to get to the discovery at the end or just full of Hollywood bullet points that lacked nuance - they were getting to a story, not telling one - a storyteller moves in multiple directions at all times, each moment; each panel leads to something more but is not just beholden to what occurs ahead, and the lack of this is why many recent events have held the status of &#8220;just tell me about it when it&#8217;s done&#8221; (in comics called: waiting for the trade). Final Crisis has me anticipating - I don&#8217;t know where it&#8217;s going, and I&#8217;m not a child of the Silver Age that some people say the current DC caters to, indeed I was never a DC fan as a child, I was firmly an ardent MARVEL Zombie, and I think it is this element of discovery that appeals to me. In an age where entire arcs or not much more than the publicity release we can read at Newsarama months before, Morrison at the helm is a promise of more, a promise of risk, and I hope he is able to mold it into a commercial success so we can look back on this event as when the Superhero Event can be the venue for experimentation, of creativity and not just the annual attempt at giving the coolest name to a project going back to the lowest story denominator to attract new readers. When we grew up. Let this be where Moore&#8217;s Twilight should have already been. [...]</description>
		<content:encoded><![CDATA[<p>[...] If you gravitate to comic communities I participate in this is where the broken record starts &#8211; I loved Final Crisis#1 and one of the main reasons I&#8217;m glad Heidi Macdonald is reporting that Dan Didio is getting an extension (after a really silly internet-spawned attempt at a Shellian neighborhood watch meeting with people a bit too much in the cups or just generally ignorant as Shelly portrayed) is that I want what looks to be a promising platform to be able to go through being a key and sanctioned part of current administration and not be something a new EIC would want to put past him or her. I&#8217;m excited not because it&#8217;s this superior single issue; sure I found it solid, but I like it more because for the first time major EVENT in comic book history that we have a modern writer at the helm. I don&#8217;t care if a lot of it is (and it is) bastardized Moorcockian themes and ideas: Seven Soldiers, Shade, Doom Patrol, Arkham Asylum, The Invisibles &#8211; all incredible, and he wrote the X-Men the last time it was remotely readable and unlike almost every &#8216;classic&#8217; X-Men story it still stands up no matter how much MARVEL wants to cajole Mephisto into magiking (Marvel editorial&#8217;s geek word for deus ex machina &#8211; which you know, we all love) it away. With recent event I found myself either involved in issues that were just a means to get to the discovery at the end or just full of Hollywood bullet points that lacked nuance &#8211; they were getting to a story, not telling one &#8211; a storyteller moves in multiple directions at all times, each moment; each panel leads to something more but is not just beholden to what occurs ahead, and the lack of this is why many recent events have held the status of &#8220;just tell me about it when it&#8217;s done&#8221; (in comics called: waiting for the trade). Final Crisis has me anticipating &#8211; I don&#8217;t know where it&#8217;s going, and I&#8217;m not a child of the Silver Age that some people say the current DC caters to, indeed I was never a DC fan as a child, I was firmly an ardent MARVEL Zombie, and I think it is this element of discovery that appeals to me. In an age where entire arcs or not much more than the publicity release we can read at Newsarama months before, Morrison at the helm is a promise of more, a promise of risk, and I hope he is able to mold it into a commercial success so we can look back on this event as when the Superhero Event can be the venue for experimentation, of creativity and not just the annual attempt at giving the coolest name to a project going back to the lowest story denominator to attract new readers. When we grew up. Let this be where Moore&#8217;s Twilight should have already been. [...]</p>
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		<title>By: R. Maheras</title>
		<link>http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41406</link>
		<dc:creator>R. Maheras</dc:creator>
		<pubDate>Tue, 24 Jun 2008 18:56:10 +0000</pubDate>
		<guid isPermaLink="false">http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41406</guid>
		<description>Think about your logic from a business standpoint.

You are in effect saying that because of the way things are now, no serialized book should realistically expect a significant amount of new readers after the first issue is published.

If that&#039;s the case, then for the publisher, there is no reason to overprint any subsequent issues beyond the first one, because that first issue sets the readership bar for that series, and the circulation for every issue after that will have the same circulation or less. As a matter of fact, it will always be less, because, as you point out, such a serialized title is not designed to attract new readers, and there will always have readers who drop a series after initially being on board. From a retailer’s standpoint, there’s no reason to order any more copies than the previous issue of any given title, and little reason to have large amounts of rack space.

Can&#039;t you see that this is the antithesis of good business practices, which emphasizes growth -- i.e., increasing one&#039;s customer base?

This is why I think rampant serialization in comics is bad for business -- especially in the long term. You and some others may like it because it makes you feel part of an exclusive clique, but such exclusionary practices, if widespread, kill one&#039;s customer base.

It would be one thing if a miniseries or a six-, 12- or 18-month-long story arc were done only occasionally, but they now appear to be the norm. And this new norm, I say, is not conducive to the health and growth of the industry.

Imagine if Marvel had such an “anti-growth” philosophy in 1961 – one that eschews new readers and focuses almost exclusively on serialization and a relatively small and select readership base. If they had, the “Amazing Spider-Man” miniseries would have come and gone, and no doubt, the character would now be long-forgotten.</description>
		<content:encoded><![CDATA[<p>Think about your logic from a business standpoint.</p>
<p>You are in effect saying that because of the way things are now, no serialized book should realistically expect a significant amount of new readers after the first issue is published.</p>
<p>If that&#8217;s the case, then for the publisher, there is no reason to overprint any subsequent issues beyond the first one, because that first issue sets the readership bar for that series, and the circulation for every issue after that will have the same circulation or less. As a matter of fact, it will always be less, because, as you point out, such a serialized title is not designed to attract new readers, and there will always have readers who drop a series after initially being on board. From a retailer’s standpoint, there’s no reason to order any more copies than the previous issue of any given title, and little reason to have large amounts of rack space.</p>
<p>Can&#8217;t you see that this is the antithesis of good business practices, which emphasizes growth &#8212; i.e., increasing one&#8217;s customer base?</p>
<p>This is why I think rampant serialization in comics is bad for business &#8212; especially in the long term. You and some others may like it because it makes you feel part of an exclusive clique, but such exclusionary practices, if widespread, kill one&#8217;s customer base.</p>
<p>It would be one thing if a miniseries or a six-, 12- or 18-month-long story arc were done only occasionally, but they now appear to be the norm. And this new norm, I say, is not conducive to the health and growth of the industry.</p>
<p>Imagine if Marvel had such an “anti-growth” philosophy in 1961 – one that eschews new readers and focuses almost exclusively on serialization and a relatively small and select readership base. If they had, the “Amazing Spider-Man” miniseries would have come and gone, and no doubt, the character would now be long-forgotten.</p>
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		<title>By: Dan</title>
		<link>http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41405</link>
		<dc:creator>Dan</dc:creator>
		<pubDate>Tue, 24 Jun 2008 18:22:23 +0000</pubDate>
		<guid isPermaLink="false">http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41405</guid>
		<description>It&#039;s also important to separate out people in general, and those on the internet.  People on the internet complain.  About everything.  And they are certainly not, in any way, representative of the general public.

I&#039;d also add that manga--which sells exceptionally well--is exactly the same.  A new reader would be just as lost in the 40th volume of Naruto as in the 40th issue of Green Lantern.  It&#039;s the nature of sequential stories.</description>
		<content:encoded><![CDATA[<p>It&#8217;s also important to separate out people in general, and those on the internet.  People on the internet complain.  About everything.  And they are certainly not, in any way, representative of the general public.</p>
<p>I&#8217;d also add that manga&#8211;which sells exceptionally well&#8211;is exactly the same.  A new reader would be just as lost in the 40th volume of Naruto as in the 40th issue of Green Lantern.  It&#8217;s the nature of sequential stories.</p>
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		<title>By: Erik Scott</title>
		<link>http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41404</link>
		<dc:creator>Erik Scott</dc:creator>
		<pubDate>Tue, 24 Jun 2008 17:22:57 +0000</pubDate>
		<guid isPermaLink="false">http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41404</guid>
		<description>&quot;I should be able to buy almost any comic book on the rack and be able to take it home, read it, and enjoy it.&quot;

Not neccessarily. Comics have changed fundamentally from the time Jim Shooter was a heavy hitter. The fact that most arcs within a storyline are setup as part ___ of ___ is just one example. IF your picking up part 4 of 5 on a book that clearly states it there should be some expectation that you are maybe not going to understand all of what is going on as it is stands. Expecting anything short of this is lofty at best.

Reading and enjoying are different from being able to comprehend. I comprehend the Fountainhead but I don&#039;t enjoy it.

I know this is heresy in some circles, but the storytelling in comics has changed, good, bad or indifferent. THe days of the one in done stories, hell even the days of Levitz and his triangulkar storytelling in Legion are over becaus ethe nature of the business with trades and all has changed. This doesn&#039;t mean the story telling in these books is bad, it&#039;s just different.</description>
		<content:encoded><![CDATA[<p>&#8220;I should be able to buy almost any comic book on the rack and be able to take it home, read it, and enjoy it.&#8221;</p>
<p>Not neccessarily. Comics have changed fundamentally from the time Jim Shooter was a heavy hitter. The fact that most arcs within a storyline are setup as part ___ of ___ is just one example. IF your picking up part 4 of 5 on a book that clearly states it there should be some expectation that you are maybe not going to understand all of what is going on as it is stands. Expecting anything short of this is lofty at best.</p>
<p>Reading and enjoying are different from being able to comprehend. I comprehend the Fountainhead but I don&#8217;t enjoy it.</p>
<p>I know this is heresy in some circles, but the storytelling in comics has changed, good, bad or indifferent. THe days of the one in done stories, hell even the days of Levitz and his triangulkar storytelling in Legion are over becaus ethe nature of the business with trades and all has changed. This doesn&#8217;t mean the story telling in these books is bad, it&#8217;s just different.</p>
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		<title>By: R. Maheras</title>
		<link>http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41403</link>
		<dc:creator>R. Maheras</dc:creator>
		<pubDate>Tue, 24 Jun 2008 15:51:52 +0000</pubDate>
		<guid isPermaLink="false">http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41403</guid>
		<description>Look, it is just good basic customer service to listen -- REALLY listen -- when customers have a gripe. And any manager with any experience will tell you that while one complaint may signal only an isolated incident, many, many complaints usually signal a fundamental problem with the product.

And, as any successful business manager will also tell you, a business generally doesn&#039;t enjoy success by FORCING customers to &quot;like it or lump it.&quot;

In short, if a significant percentage of comic book customers are complaining that many of today&#039;s stories are difficult to follow, than I think it would be wise to analyze the situation further, and if true, fix the problem. Trying to point fingers at the customers (i.e., inferring they&#039;re just dumb), or rationalizing the issue away, is a recipe for failure.

I was complaining on a message board recently that the first issue of &quot;Planetary&quot; I decided to try (coincidentally, one of the final issues) was not only incomprehensible, but extremely boring. The response from one poster? &quot;You were unlucky to probably pick one of the least new-reader friendly issues of it.&quot;

Jim Shooter supposedly once said that every issue of every comic is always someone&#039;s first, and I agree with that. I should be able to buy almost any comic book on the rack and be able to take it home, read it, and enjoy it.

I&#039;m having a hard time doing that these days.</description>
		<content:encoded><![CDATA[<p>Look, it is just good basic customer service to listen &#8212; REALLY listen &#8212; when customers have a gripe. And any manager with any experience will tell you that while one complaint may signal only an isolated incident, many, many complaints usually signal a fundamental problem with the product.</p>
<p>And, as any successful business manager will also tell you, a business generally doesn&#8217;t enjoy success by FORCING customers to &#8220;like it or lump it.&#8221;</p>
<p>In short, if a significant percentage of comic book customers are complaining that many of today&#8217;s stories are difficult to follow, than I think it would be wise to analyze the situation further, and if true, fix the problem. Trying to point fingers at the customers (i.e., inferring they&#8217;re just dumb), or rationalizing the issue away, is a recipe for failure.</p>
<p>I was complaining on a message board recently that the first issue of &#8220;Planetary&#8221; I decided to try (coincidentally, one of the final issues) was not only incomprehensible, but extremely boring. The response from one poster? &#8220;You were unlucky to probably pick one of the least new-reader friendly issues of it.&#8221;</p>
<p>Jim Shooter supposedly once said that every issue of every comic is always someone&#8217;s first, and I agree with that. I should be able to buy almost any comic book on the rack and be able to take it home, read it, and enjoy it.</p>
<p>I&#8217;m having a hard time doing that these days.</p>
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		<title>By: Evie</title>
		<link>http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41402</link>
		<dc:creator>Evie</dc:creator>
		<pubDate>Tue, 24 Jun 2008 15:40:56 +0000</pubDate>
		<guid isPermaLink="false">http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41402</guid>
		<description>I just need to drop my two cents that mainstream comics, from both publishers, are not impenetrable. I&#039;m a 31 year-old woman who started reading them about three years ago, and pick up new ones all the time, and now I blog and podcast about them. Yes I&#039;ve had to go back and do some research and resort to Wikipedia and all the rest of it, but that&#039;s what makes it fun. If people don&#039;t find that kind of thing fun, then they wouldn&#039;t appreciate giant-universe comics anyway.

Like everyone else I think that both Marvel and DC have had some triumphs, tragedies and everything in between in the past few years, and the industry clearly has some issues, and maybe fresh blood would fix some of them. But I&#039;m still enjoying myself, even if I occasionally complain about the wedgies in JLA, etc.</description>
		<content:encoded><![CDATA[<p>I just need to drop my two cents that mainstream comics, from both publishers, are not impenetrable. I&#8217;m a 31 year-old woman who started reading them about three years ago, and pick up new ones all the time, and now I blog and podcast about them. Yes I&#8217;ve had to go back and do some research and resort to Wikipedia and all the rest of it, but that&#8217;s what makes it fun. If people don&#8217;t find that kind of thing fun, then they wouldn&#8217;t appreciate giant-universe comics anyway.</p>
<p>Like everyone else I think that both Marvel and DC have had some triumphs, tragedies and everything in between in the past few years, and the industry clearly has some issues, and maybe fresh blood would fix some of them. But I&#8217;m still enjoying myself, even if I occasionally complain about the wedgies in JLA, etc.</p>
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		<title>By: Erik Scott</title>
		<link>http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41401</link>
		<dc:creator>Erik Scott</dc:creator>
		<pubDate>Tue, 24 Jun 2008 14:36:08 +0000</pubDate>
		<guid isPermaLink="false">http://www.comicsbeat.com/2008/06/23/dc-update-didio-not-going-anywhere/#comment-41401</guid>
		<description>&quot;But mainstream comics have become impenetrable, both Marvel and DC.&quot;

I fundamentally disagree with this statement. There&#039;s a difference between wanting to know and needing to know information to understand story. It could just be difference in comprehension of the material or understanding of history in characters, but these are sequential comics and they are going to continue ongoing stories of the characters.

For every person who claims that &quot;The Lightning Saga&quot; or &quot;Secret Invasion&quot; or &quot;Final Crisis&quot; as indecipherable, I can tell you about people who have picked it up as their 1st comic in months, years, or ever (I work in a comic book store) and had no problem following the story based on the exposition in the piece and their basic knowledge of the characters (not to mention the fact that many of these things aren&#039;t complete stories as of yet and so of course it&#039;s not a completely story and maybe confusing because the STORY ISN&#039;T FINISHED YET!)

There is a huge difference in basic comprehension needed to follow a story and wanting to know every detail or &quot;easter egg&quot; place dinto a story to understand how it all ties in. THey are two completely different things, and sometimes I feel like people overread things to the point of a lack of comprehension.

Again, there is a seeming need in everything today for instant gratification instead of being able to wait for things to play out. This especially ends up unfortunately in the negative kerfuffle (borrowed with thanks to Greg Rucka) that occurs over the last week. I mean, people&#039;s need for instant gratification had Jimmy Palmioti installed as the new E-I-C of DC by Friday afternoon.</description>
		<content:encoded><![CDATA[<p>&#8220;But mainstream comics have become impenetrable, both Marvel and DC.&#8221;</p>
<p>I fundamentally disagree with this statement. There&#8217;s a difference between wanting to know and needing to know information to understand story. It could just be difference in comprehension of the material or understanding of history in characters, but these are sequential comics and they are going to continue ongoing stories of the characters.</p>
<p>For every person who claims that &#8220;The Lightning Saga&#8221; or &#8220;Secret Invasion&#8221; or &#8220;Final Crisis&#8221; as indecipherable, I can tell you about people who have picked it up as their 1st comic in months, years, or ever (I work in a comic book store) and had no problem following the story based on the exposition in the piece and their basic knowledge of the characters (not to mention the fact that many of these things aren&#8217;t complete stories as of yet and so of course it&#8217;s not a completely story and maybe confusing because the STORY ISN&#8217;T FINISHED YET!)</p>
<p>There is a huge difference in basic comprehension needed to follow a story and wanting to know every detail or &#8220;easter egg&#8221; place dinto a story to understand how it all ties in. THey are two completely different things, and sometimes I feel like people overread things to the point of a lack of comprehension.</p>
<p>Again, there is a seeming need in everything today for instant gratification instead of being able to wait for things to play out. This especially ends up unfortunately in the negative kerfuffle (borrowed with thanks to Greg Rucka) that occurs over the last week. I mean, people&#8217;s need for instant gratification had Jimmy Palmioti installed as the new E-I-C of DC by Friday afternoon.</p>
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