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Don’t think I’ve ever seen it suggested before that DC bought Wildstorm simply to have Alan Moore working for them again. It must come as quite a shock to all the talented folks, from Jim Lee on down, that made Wildstorm a desirable acquisition.
Paul, I’ve seen it suggested. In fact I’ve seen it suggested DC tried to buy another small publisher that had Alan Moore working for them. Which is probably why Alan views them as “a really weird, rich stalker girlfriend.”
I should add that I don’t think DC bought Wildstorm *just* to get Alan Moore. JIM LEE and everything else made Wildstorm a worthy buy.
Regarding the Schulz book, does it deal at all with the fact that some cartoonists came to view Peanuts as far past its prime during its final 20 years? Schulz got so lazy that he’d repeatedly do gags in which the punchline was a character saying “Whatever,” a word which really doesn’t mean anything. Wasn’t it Bill Watterson who said he was ending Calvin and Hobbes because he didn’t want the strip to become a self parody the way Peanuts had become?
I disagree about latter day Peanuts. I think the last ten years are some of the best of the strip, particularly with Rerun’s sequences. I’m sorry to say I’m not familiar the recurring gag you didn’t like (from out of 7300 strips). I don’t recall Watterson ever bad-mouthing ‘Peanuts’. He’s referenced it as his favorite strip and one of his inspirations. I also found this quote – “Every now and then I hear that ‘Peanuts’ isn’t as funny as it was or it’s gotten old or something like that. I think that what’s really happened is that Schulz’s ‘Peanuts’ changed the entire face of comic strips and everybody had now caught up to him. ” What I find interesting is that an artist completely against any merchandising of his characters was a fan of the most successfully merchandised strip of all time.